Free PDF Location Audio Simplified: Capturing Your Audio... and Your Audience, by Dean Miles
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Location Audio Simplified: Capturing Your Audio... and Your Audience, by Dean Miles
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From the basics of using camera, handheld, lavalier, and shotgun microphones to camera calibration and mixer set-ups, Location Audio Simplified unlocks the secrets to clean and clear broadcast quality audio no matter what challenges you face. Author Dean Miles applies his twenty-plus years of experience as a professional location operator to teach the skills, techniques, tips, and secrets needed to produce high-quality production sound on location. Humorous and thoroughly practical, the book covers a wide array of topics, such as:
* location selection
* field mixing
* booming techniques
* using different kinds of microphones (including wireless systems) and booming
* camera calibration, interview techniques, and much more
Learn the secrets of a real-world professional with easy-to-follow, non-technical tips and techniques that you can apply in the field on your own projects immediately. The book follows the companion Location audio Simplified online course, https://vimeo.com/ondemand/locationaudiosimplified , to bring Dean’s teaching to life.
Make sure to check out the Location Crew website for more location audio goodness!
www.locationcrew.com
- Sales Rank: #424297 in Books
- Published on: 2014-08-17
- Released on: 2014-09-12
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .56" w x 6.00" l, .0 pounds
- Binding: Paperback
- 246 pages
From the Author
Location Audio Simplified was written over a 2-year span in planes and airports, cars and hotels, and in the classroom. Since there was nothing in the book world to help budding location audio operators learn the skills and techniques needed to succeed in the professional video industry, I decided to gather what I'd learned and release Location Audio Simplified.�Learning how to record sound on location doesn't have to be from trial-and-error like so many of us did in the 80's and 90's, and I'll be damned if I'm going to guard what I've learned from 20+years of successes and mistakes!�The keys to my successful location audio career are in this book, I hope they become part of yours.Dean Miles
About the Author
Dean Miles has been a professional location audio operator since 1989. He has worked on productions for National Geographic, BBC, CBC, World Vision, as well as on shows such as Sliders, X-files, and Super Dave to name a few. Dean has also developed and taught a location sound for video course for 9 years.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Solid location sound primer.
By AllenC3
Overall a good primer on location sound, primarily for video, not film or film like productions. Concentrates on mixer to camera set ups, not so much on dual system recorder based set ups. However I appreciated that info as I have that equipment but have not done much single system location work. Now I feel better prepared. Good boom set up and use technique info and photos. Good info on recording levels based on real world experience. I wish he had a chapter on mixing techniques, I need info on that topic as I rarely mix audio live. Mostly I record ISO's that get mixed in post. There are a few typos but no big deal. It would certainly be better for me if the type font was larger.
0 of 0 people found the following review helpful.
Getting the Word
By Conrad J. Obregon
Somewhere in the text of this book Dean Miles suggests that if you’ve been hired as the location sound man for a Hollywood movie, you probably don’t need this book, suggesting most of the material is designed for video. A bit less explicitly stated is that this book is aimed at those productions with a large enough crew to have a separate sound man.
The book is technical in nature, although offering suggestions on how to get along with the director and camera man. After suggestions on choosing and preparing the location, the author tells how to use a field mixer, shotgun microphones (including booming) lavalier microphones, wireless systems, and video and DSLR cameras. Miles explains what settings and cabling are best for almost any combination of these items. There is a section on using a field recorder, illustrated with a Zoom H4n (although only as a recorder, and not for its microphones). There are also chapters dealing with the special problems of interviews, and with add-on equipment.
The book is dedicated primarily to recording dialog, without covering either sound design or sound editing. Except for the section on hooking up one or more microphones directly to the camera there is no emphasis on the lone wolf videographer-sound recorder. However, given a careful reading of the book, and the manual that comes with equipment, most of the information is transferable to the solitary shooter.
Throughout the book, there are instructions to watch classes with titles similar to those contained in the book. These are part of a $199 course offered on-line by the author, rather than a free website provided by the publisher. I did not examine these classes, especially since the author’s instruction in the book seemed clear and comprehensive enough for my purposes.
Given the limited goals of the book as to location recording, the book does a good job of explaining such recording.
Note: The publisher provided me with a review copy of this book at no charge.
1 of 1 people found the following review helpful.
Since I am lucky to be an ENG soundman for ...
By Ivan
Since I am lucky to be an ENG soundman for a TV station, this book provides me with many helpful tips and tricks that I did not know. And makes my job a lot easyer.
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