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The riotous world of the classroom, captured by the cartoonists at The New Yorker
The New Yorker Book of Teacher Cartoons, Second Edition is a hilarious compilation of cartoons that capture the joy, terror, excitement, anxiety, fun, and bedlam that teachers experience every day, as seen through the eyes of The New Yorker's best-loved cartoonists.
A wonderful collection from some of the best and brightest artists in the world, The New Yorker Book of Teacher Cartoons takes a wry look into the classroom—at the students, at their devoted and demanding parents, and, especially, at the teachers in the thick of things.
- Includes more than 100 hilarious cartoons
- Updated edition reflects recent changes in the world of education
- Features an introduction by Lee Lorenz
Compiled by Robert Mankoff, cartoon editor of The New Yorker and creator of more than eight hundred cartoons published in the magazine, The New Yorker Book of Teacher Cartoons is a perfect gift for teachers, and an encyclopedia of laughs for us all.
- Sales Rank: #301493 in Books
- Published on: 2012-06-05
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .60" w x 8.30" l, 1.09 pounds
- Binding: Hardcover
- 160 pages
- over 100 New Yorker cartoons covering teachers, students and parents hilariously
From the Inside Flap
The New Yorker Book of Teacher Cartoons is a hilarious compilation of cartoons that capture the joy, terror, excitement, anxiety, fun, and bedlam that teachers experience every day, as seen through the eyes of some of The New Yorker's best-loved cartoonists.
Featuring more than a hundred contributions that span the magazine's eighty-seven-year history, this cartoon omnibus takes us inside the classroom, and pokes fun at everything from demanding students to their even more demanding parents.
Compiled by Robert Mankoff, the cartoon editor of The New Yorker, and featuring an introduction by the cartoonist Lee Lorenz, this incisive and very funny collection is a testament to the invaluable work of educators everywhere.
About the Author
Robert Mankoff is the cartoon editor of The New Yorker. He is also a cartoonist, and more than 900 of his cartoons have been published in the magazine in the past thirty years, including the best-selling New Yorker cartoon of all time. He is the author of the book The Naked Cartoonist, published in 2002, about the creative process behind developing magazine-style cartoons. He has also edited dozens of cartoon books and published four of his own.
Lee Lorenz became a staff cartoonist for The New Yorker in 1958. He was the magazine's art editor from 1973 to 1993, and its cartoon editor until 1997. He is the author of The Art of The New Yorker as well as Here It Comes and Now Look What You've Done. Lorenz has served as president of the Cartoonists' Guild and lives in a rustic corner of Connecticut.
Most helpful customer reviews
22 of 23 people found the following review helpful.
Perhaps the Best Collection in the Series Thus Far
By Robert Morris
This is one of the titles in a series of anthologies of subject-specific cartoons which first appeared in The New Yorker, a magazine to which I have subscribed since I was enrolled in college. Once again, Robert Mankoff serves as editor and once again, he has made excellent choices. Mankoff is the founder and president of The Cartoon Bank and cartoon editor of The New Yorker. His own cartoons have been published in that magazine since 1974.
At the outset, I acknowledge the difficulty of discussing cartoons without benefit of having them displayed...and this is especially true of New Yorker cartoons. Those who create the best of them have a unique talent for combining precisely the correct illustration and caption. Styles vary from one artist to the next, of course, but so many New Yorker cartoons suggest an urban lifestyle perspective with an emphasis on wit and whimsy. That is even true of so-called "sick humor" as found in Charles Addams' cartoons, for example. FYI, Addams is not among the artists represented in this volume.
Some cartoons require no caption such as one drawn by Lee Stevens which features a building behind a prominent lawn sign whose message serves as a caption: "The Knowledge Hut� formerly P.S. 102." Other cartoons have an extensive caption such as one devised by George Booth in which a wife is commenting on their daughter's schoolwork. "Sarah's grades are excellent. She got an A+ in `Yogi Berra: Philosopher or Fall Guy?,' A in `Dollars and Scents: An Analysis of Post-Vietnam Perfume Advertising,' A- in `The Final Four as Last Judgment: The N.C.A.A. Tournament from a Religious Perspective,' and A in `The American Garage Sale: Its Origins, Cultural Implications, and Future.'" The husband is understandably dismayed.
The works of artists such as Stevens, Booth, Lee Lorenz, Warren Miller, Charles Saxon, William Steig, and James Stevenson are immediately familiar to me and other long-time subscribers to The New Yorker. As another of their drawings appears in a new issue, I am curious to learn what their latest comment is on the human condition. Thus was my reaction when coming upon several drawings in this volume, ones I did not recall seeing previously, by artists style is almost instantly recognizable. My point is that New Yorker cartoons can certainly offer cultural insights concerning a given era (e.g. The Great Depression) as well as a given subject (e.g. business) but their humor is never dated.
A few brief concluding comments about the selections in this volume. The perspectives offered include those of parents and students as well as those of teachers. Having taught for 24 years (13 of them in two New England boarding schools), I can personally attest to the authenticity of those situations portrayed in which education seems to be much less important than establishing and then maintaining control over whatever, making certain reassurances now to avoid unpleasant situations later, or at least "showing an interest" whose sincerity is questionable. Almost all of the situations seem to involve private school or upper scale public school situations as one would expect, given the demographics of the magazine's clientele.
My favorite drawing (in this volume) was created by Robert Weber. We see the stage in an elementary school auditorium where a teacher is conducting her rehearsal of Arthur Miller's Death of a Salesman. Stage left is a small boy struggling to carry a huge suitcase. Stage center, a table and two chairs. Two others in the cast stand dutifully next to the teacher, a copy of the script in hand, while several others sit on the floor behind them. My guess is that these are 4th or 5th grade students. Caption: "O.K., Willy, drag yourself to the table and collapse in despair. Enter Biff."
Those who delight in such cartoons are encouraged to check out the other volumes in the series which focus on art, baseball, business, golf, "kids," money, politics, and technology. Great stuff!
12 of 12 people found the following review helpful.
Elementary, Middle, or High?
By A Customer
I received this wonderful book as a gift when I graduated with my master in teaching. It contains plenty of treasures, but I wanted to caution gift givers that the cartoons here are very heavy on the elementary school commentary. As a high school teacher, I didn't find a ton that were really applicable to my daily experiences. Still though, I've enjoyed flipping through it and chuckling at the lil'uns.
3 of 3 people found the following review helpful.
A hit at the Christmas Party
By Deborah
My Husband is a High School Teacher. I bought this for him to contribute to the teachers gift exchange during their Christmas Party. It was a real hit. The book is rather short but it is what you would expect. I couldn't resist going through the whole book as soon as it arrived. I enjoyed every minute of it. It was a great purchase and I would definitely purchase again.
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