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In The Next American Essay, John D'Agata takes a literary tour of lyric essays written by the masters of the craft. Beginning with 1975 and John McPhee's ingenious piece, "The Search for Marvin Gardens," D'Agata selects an example of creative nonfiction for each subsequent year. These essays are unrestrained, elusive, explosive, mysterious―a personal lingual playground. They encompass and illuminate culture, myth, history, romance, and sex. Each essay is a world of its own, a world so distinctive it resists definition.
Contributors include:
Sherman Alexie
David Antin
Jenny Boully
Anne Carson
Guy Davenport
Lydia Davis
Joan Didion
Annie Dillard
Thalia Field
Albert Goldbarth
Susan Griffin
Theresa Hak Kung Cha
Jamaica Kincaid
Wayne Koestenbaum
Barry Lopez
John McPhee
Carole Maso
Harry Mathews
Susan Mitchell
Fabio Morabito
Mary Ruefle
David Shields
Dennis Silk
Susan Sontag
Alexander Theroux
George W. S. Trow
David Foster Wallace
Eliot Weinberger
Joe Wenderoth
James Wright
- Sales Rank: #52678 in Books
- Brand: Brand: Graywolf Press
- Published on: 2003-02-01
- Released on: 2003-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.97" h x 1.44" w x 6.32" l, 1.60 pounds
- Binding: Paperback
- 475 pages
- Used Book in Good Condition
From Publishers Weekly
D'Agata (Halls of Fame) avows love of the diversity of the essay form, and it is palpable on every page of this unique, esoteric, beautiful book. He tells the reader that he first became enamored of essays when his mother read him the news of the day while he was still in her womb. It is this kind of fantastic, myth-making perspective that runs through each entry of this anthology, whose contributors include such master essayists as John McPhee, Susan Sontag, Joan Didion and Annie Dillard. Hopping from one genre to another-biography, poetry, philosophy, travel writing, memoir-D'Agata makes the point that the essay is not just one form of writing but can be every form of writing. Although it may occasionally seem that D'Agata has chosen a selection to illustrate how erudite he is-such as Theresa Hak Kyung Cha's "Erato Love Poetry," a set of bewildering fragments and (literally) blank white space-many other choices convey the wondrously infinite possibilities of the essay form. Standouts include "Unguided Tour," Sontag's cranky philosophical dialogue with her inner self; "Life Story," David Shields's string of aphorisms composed entirely of bumper sticker slogans; "Ticket to the Fair," David Foster Wallace's colorful, compassionate tour of the Illinois State Fair; and "The Body," Jenny Boully's postmodern pastiche of autobiographical (or not) footnotes. D'Agata's idea of an essay-or lyric essay, as he comes to call these writings- conflates both art and fact, blurring the line between objectivity and subjectivity. The lyric essay, he says, has a "kind of logic that wants to sing." Readers, listen up, then: here is a book that makes some beautiful music.
Copyright 2003 Reed Business Information, Inc.
From Booklist
As he demonstrated in Halls of Fame (2001), D'Agata is an impressively poetic essayist, and now he pays tribute to his chosen form in a unique and astutely selected chronological collection of seminal lyric essays. Choosing one essay to represent each year up to the present, D'Agata begins in 1975 not only because it's the year of his birth but also because that's when John McPhee, grand master of what became known as creative nonfiction, published "The Search for Marvin Gardens," a shimmering hybrid of personal observations and lovingly recited facts about the board game Monopoly. A similarly complex mix of the objective and the subjective by Barry Lopez follows, as does a wily rumination by Susan Sontag, and an indelible piece by Joan Didion, empress of the plexus of the intimate and the political. Splendid, form-transcending performances by the likes of Anne Carson, Paul Metcalf, Sherman Alexie, Susan Griffin, and Carole Maso alternate with D'Agata's own sparkling musings on each year and each phase in the essay's evolution. This is a genuinely exhilarating work of literary history. Donna Seaman
Copyright � American Library Association. All rights reserved
Review
“From the living Monopoly game (in an essay by John McPhee) to a set of unattended ghostly footnotes, from the Joan Didion elegy to the Anne Carson fantasia, this book shows what the essay is and what, with any luck, it will be. The collection is full of pleasures and surprises, the most stunning of which is the ongoing essay by D'Agata himself--he transforms a mere anthology into the living biography of an art form.” ―Michael Silverblatt, creator, producer, and host of public radio's "Bookworm"
“D'Agata avows love of the diversity of the essay form, and it is palpable on every page of this unique, esoteric, beautiful book. He tells the reader that he first became enamored of essays when his mother read him the news of the day while he was still in her womb. It is this kind of fantastic, myth-making perspective that runs through each entry of this anthology, whose contributors include such master essayists as John McPhee, Susan Sontag, Joan Didion and Annie Dillard. Hopping from one genre to another--biography, poetry, philosophy, travel writing, memoir--D'Agata makes the point that the essay is not just one form of writing but can be every form of writing . . . [Many of D'Agata's] choices convey the wondrously infinite possibilities of the essay form. Standouts include 'Unguided Tour,' Sontag's cranky philosophical dialogue with her inner self; 'Life Story,' David Shields's string of aphorisms composed entirely of bumper sticker slogans; 'Ticket to the Fair,' David Foster Wallace's colorful, compassionate tour of the Illinois State Fair; and 'The Body,' Jenny Boully's postmodern pastiche of autobiographical (or not) footnotes. D'Agata's idea of an essay--or lyric essay, as he comes to call these writings--conflates both art and fact, blurring the line between objectivity and subjectivity. The lyric essay, he says, has a 'kind of logic that wants to sing.' Readers, listen up, then: here is a book that makes some beautiful music.” ―Publishers Weekly
Most helpful customer reviews
0 of 0 people found the following review helpful.
I'm waiting for the next one...
By DJan
I got this for my kid so she can read the next American essay but I suppose there will be a sequel since there will always be another American essay. Maybe they should look into a subscription model for American essays with the next one automatically coming in the mail.
1 of 1 people found the following review helpful.
Some good writing, some good theory
By Adam Weinstein
You don't have to like John D'Agata or some of his showier cultural stunts to like this work. He does a good job of backgrounding and contextualizing experimental nonfiction, and some of the selections in here are to die for (a personal essay told deftly and funnily in only footnotes? Tell me you didn't wish you'd thought of that first). Anyone in a creative writing nonfic track or studying contemporary lit should find this a worthwhile read.
0 of 0 people found the following review helpful.
So worth the time to read
By Lori Brack
Beautifully put together and full of important ideas about "nonfiction" writing.
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